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Örebro Konserthus
Fabriksgatan 2, Örebro
Opens one hour before the concert
Logotyp: Örebrompaniet
TICKETS
019-21 21 21, ticnet.seexternal link, opens in new window
SUBSCRIPTIONS
+46 (0)19-766 62 02
abonnent@orebrokonserthus.com
Phone hours: M 10-12, W 14-16
(Closed for Christmas &
New Years Dec 23-Jan 3.)

Complete orchestral works, vol 2

1180
Pris: 150kr
Release date: 8/2000
Works
Ludwig van Beethoven
Symphony No. 4 in B flat major, Op. 60
Coriolan Overture, Op. 62
Symphony No. 5 in C minor, Op. 67
Artists
Swedish Chamber Orchestra
Music Director: Thomas Dausgaard
Reviews
“It has been a longstanding complaint in the classical music world that as recordings and jet travel have shrunk the globe, an international sound has been fostered that has filtered out regional differences in timbre and interpretation ... And every now and then an orchestra comes along with a sound that is surprising and fresh. The Swedish Chamber Orchestra, led by its music director, Thomas Dausgaard, produced a distinctive and consistently vibrant sound ... Mr Dausgaard made the Beethoven into a high-energy dazzler, driven by sizzlingly brisk string playing, with biting brass figures giving the music a stormy edge and making the neglected Fourth Symphony seem nearly as titanic as the Third and the Fifth."
Allan Kozinn, New York Times, August 2004

“Dausgaard's clear-headed and carefully sculpted phrasing and the orchestra's virtuoso performances penetrate to the music's core, as in the terse and tight-muscled first movement of Symphony No. 4 ... Dausgaard leads a deliciously stern performance of the Coriolan overture, a fine bonus on this beautifully recorded disc. Even if you have other "downsized" Beethoven recordings, you should hear this one."

Victor Carr Jr, Classicstoday.com

Not only are the recordings excellent — clear, fresh, beautifully balanced; the performances, too, are exceptionally fine. Thomas Dausgaard and the Swedish Chamber Orchestra have obviously learned lessons from the period-instrument innovators (do I hear 19th-century timpani?), but there´s nothing mannered or wilfully contentious about the results. Instead there´s abundant life, quick-witted musical intelligence, inwardly charged expression, scintillating precision, humour and a sense of awe before Beethoven´s more startling inspirations — yes, they can still startle even today. It´s a long time since I´ve enjoyed a new recording of the Fourth as much as this; clearly there was never any danger of Dausgaard falling for the old idea that No. 4 is a lighter, and therefore lesser symphony. Coriolan is a concise, gripping tragic statement, and if the Fifth Symphony doesn´t always rise to the heights, it still compares well with most modern versions. Worth adding even to an already bulging Beethoven collection.

Stephen Johnson, BBC Music Magazine * * * * *